“Bruja” by Bea Garth, copyright 2019
By beagarth
I am a poet, visual artist (ceramic sculpture, drawing and painting) and editor. My art has become more and more surrealistic and in its way, Goddess oriented in philosophy (i.e., nurturing of the planet and each other plus honoring the spirits and symbols from the unconscious, metaphysics etc.) with a good dose of the Surreal. I focus on exploring feelings and body language many of us might otherwise miss. The art of relationships is a passion of mine, between us humans and the creatures around us, as well as with the Earth itself. I find art to be very healing, and it is this fact that really drives me. I also enjoy sharing art, poetry, social and political philosophy, and an interest in ecology and nutrition/health with others. I have thus created a progressive online magazine (Eos: The Creative Context) where like minded people can share their work.
“Desire,” new painting by Bea Garth
Here’s my new painting on a large sheet of watercolor paper I call “Desire.” And yes it does often seem like there is no longer any privacy, however the thing is to enjoy oneself anyway when one can–and not let it get in the way!
“Keiko’s Dream” pen and ink by Bea Garth, copyright 2019
This is a pen and ink I made recently that pretty much describes what my cat might think about all the goings on that I have had to untangle here in San Jose.
On Dealing With Chaos, by Bea Garth
I have been having to learn how to cope with overcoming chaos of late, due to part of my family’s neglect and active destruction of the cottages I renovated for many years. I believe it is symbolic of the degeneration of this area.
Homelessness and drug use has become very common. It seems worse here than many other places given the hopelessness many feel due to enormous rises in the cost of rent as well as everything else.
Normal everyday people now live in their cars or in homeless camps, or live off the generosity of their friends. High tech people flock here from all corners of the world while service people are being forced out due to rising rents. Even the police can’t afford to live here any more, which makes keeping the peace even more dicey.
This rapidly decaying situation seems symbolic of the erosion of the planet. We badly need to take a stand to care for each other and stop this needless destruction by doing what we can wherever we are.
The beast seems overwhelming, and in many respects is. However we are not helpless if we reach out to each other and reconnect with our inner spirit. Spirit is larger in my opinion than any destructive force, no matter how dire it seems.
“Bringing Her Back To Life” by Bea Garth, copyright 2018
I just recently started work on this new painting which I am now calling “Bringing Her Back To Life,” by Bea Garth, copyright 2018. Its for a show I will be participating in this September called “Stories We Could Tell” at The Cave here in Vancouver, WA.
Of course I have plenty of stories in my paintings, but this one is calling to me given my recent health crisis that became a crescendo the last couple of years. Fortunately my broken wrist is healing and is becoming stronger and more flexible with each passing month. Ditto with my knee. In addition, I have gotten clues studying genetic snps that have proven to be very helpful regarding dietary advice. That plus taking Maca and Ashwagandha is making a positive difference with counteracting some of the effects of underlying Lyme Disease that I have been struggling with the last few years.
Fortunately, I am in the process of bouncing back. I am nothing if not doggedly persistent looking for and finding remedies. That and, of course, the Painting Gods are healing me. I honestly often feel a direct connection with the healing powers of the Earth and Sky (represented here by a couple of their emissaries in this painting), especially when I am in my creative element.
I have more to do with the painting of course. Basically it is just blocked in with no shading or anything. However I really like the basic color scheme and feel like it could be very strong once completed. In many ways it reminds me of my ceramics. It has that playful yet structured character. The main thing for me is to stop before going too far! A lesson I keep needing to learn it seems in my life. Hopefully by this time I am getting better at it.
“Moths Trying To Escape The Snow,” pen and ink by Bea Garth, copyright 2018
Who can explain the vicissitudes of the imagination? 
My husband and his band members of CLIMATE STRANGE were playing their piece “Crystal Acrobat.” It was about looking out the window at the snow. I was drawing, enjoying their music, and out came this piece–notwithstanding the fact it is a hot day in the middle of June here in the Pacific Northwest!
Well maybe I was also feeling a little sad, which I think does come through in this drawing. Reason being I was feeling that way is that James, the lead guitarist, is about to move back to San Jose. I will be very sorry to see him go since he truly ads a lot to the band, plus he is a really nice guy. He will be hard to replace since all their music is completely original. To hear some snyps of their amazing music, go to their website at https://climatestrange.org/music-2/
I often think of my pen and ink drawings as “warm ups.” Although in this case, I believe it is probably the finished piece.
“Petting the Cat,” by Bea Garth; will soon finally have a kiln I can use! and fire pieces like this as well as sculpture and wall plaques…
I have got some great news.
Looks like I will be getting a used but good condition 818 P kiln on Sunday.
This means we finally can finally install a kiln here since it will use only half the electrical load of most other electric kilns. This is important since we simply don’t have a large enough electrical box to support having a large kiln unless we change to having a gas stove etc. Which at this point would be very expensive since we’d have to put in new piping into the kitchen and the laundry downstairs, plus of course get new appliances.
I still plan on converting my old larger electrical kiln to propane, but it will be nice to have a working electric kiln too. I had an 818 P years ago and loved it. Apparently I can make it taller too by stacking an extra row of soft brick . It won’t fire as hot that way, however it will be plenty hot enough since I plan to stick with low fire.
I am really jazzed about this since I love the freedom of working with clay–plus find it to be incredibly healing. Which is just what the doctor ordered so to speak given the fact I have had a lot of health challenges this last couple of years.
Here’s a piece on the right that I made last summer still waiting to get fired called “Petting the Cat.” So yes I am pretty excited at this wonderful find (i.e., re the lower voltage electric kiln)!
Still thinking we should build a small kiln shed outside the garage however to avoid fumes of course. But its very do-able given my background working on houses…
