From Surrealistic Painting by Bea Garth

“Bringing Her Back To Life” by Bea Garth, copyright 2018

I just recently started work on this new painting which I am now calling “Bringing Her Back To Life,” by Bea Garth, copyright 2018. Its for a show I will be participating in this September called “Stories We Could Tell” at The Cave here in Vancouver, WA.

"Bringing Her Back To Life" acrylic painting in progress by Bea Garth, copyright 2018
“Bringing Her Back To Life” acrylic painting in progress by Bea Garth, copyright 2018

Of course I have plenty of stories in my paintings, but this one is calling to me given my recent health crisis  that became a crescendo the last  couple of years. Fortunately my broken wrist is healing and is becoming stronger and more flexible with each passing month. Ditto with my knee. In addition, I have gotten clues studying genetic snps that have proven to be very helpful regarding dietary advice. That plus taking Maca and Ashwagandha is  making a positive difference with counteracting some of the effects of underlying Lyme Disease that I have been struggling with the last few years.

Fortunately, I am in the process of bouncing back. I am nothing if not doggedly persistent looking for and finding  remedies. That and, of course, the Painting Gods are healing me. I honestly often feel a direct connection with the healing powers of the Earth and Sky (represented here by a  couple of their emissaries in this painting), especially when I am in my creative element.

I have more to do with the painting of course. Basically it is just blocked in with no shading or anything. However I really like the basic color scheme and feel like it could be  very strong  once completed. In many ways it reminds me of my ceramics. It has that playful yet structured character. The main thing for me is to stop before going too far!  A lesson I keep needing to learn it seems in my life. Hopefully by this time I am getting better at it.

“The Music Genie” by Bea Garth at The Cerulean thru Feb. 26, 2018

NOTE: Jordan Clark and I will be giving an Artists Talk Sat. night Feb. 24th, 2018 from 7 to 8 PM — with folks gathering at 6:30 — over at The Gallery at Cerulean, 1439 NW Marshall St., Portland OR, PH: 503 308-9137.

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I have a bevy of paintings @ ‘The Gallery at Cerulean including my newest, “The Music Genie” you see below. I welcome those that can come hear us and see our work. The show is up through Feb. 26th. It is well presented with both my work and that of Jordan Clark harmonizing with each other by means of color and shapes–though his work is frankly boldly abstract and mine figurative.

The Cerulean is both a wine bar and art gallery on the edge of the Pearl district in Portland.

The Music Genie by Bea Garth 30 x 30 copyright 2018 acrylic on canvas
The Music Genie by Bea Garth 30 x 30 copyright 2018 acrylic on canvas

The Music Genie was inspired by my husband who was in one of his reverie’s composing music.  The watery depths in the background and the ghost like Genie to his right show him exploring his musical imagination of harmony and inter connected feeling.

I finished this painting just in the nick of time with putting in final touches just moments before putting the painting in with the rest before my husband drove off with them to take them to the gallery the day before the exhibit. Fortunately acrylic dries quickly with the aid of using a hair dryer! I had pulled an all nighter and had to crawl into bed–satisfied but curious as to how it might be received.

Bea Garth in front of her art at The Cerulean, Portland, OR

This  photo of me standing in front of my newest painting (The Music Genie) is from last night’s reception of my month long exhibit.  It was a very fun night while we were entertained by the completely original music by my husband Chris Arcus’ band Climate Strange.

Bea Garth in front of her new painting "The Music Genie" at the Art Gallery At The Cerulean, Portland Oregon
Bea Garth in front of her new painting “The Music Genie” copyright 2018 at the Art Gallery At The Cerulean, Portland Oregon

I also read poetry to an appreciative crowd. While reading (accompanied by Chris on his keyboard),  I realized I often have repeating images of nature, the everyday, eros and relationship, the mythic and the subconscious in both my paintings and poetry that seem to echo each other.

I was very impressed by the beauty of the gallery and how the curator Hazel Miller arranged everything exquisitely. My art and that of Jordan Clark’s was grouped by color and shape for instance–which really works even though he is an abstract painter and I am a figurative one.

Bea Garth looking at her painting Legs Like Vines at the Gallery at the Cerulean Feb 2018
Bea Garth looking at her painting Legs Like Vines copyright 2017  at the Gallery at the Cerulean Feb 2018

The Art Gallery At The Cerulean is at 1439 NW Marshall St., on the edge of the Pearl district in Portland, Oregon.  The Cerulean is a great place to go to buy wine and a bite to eat, hang out and experience fine art.

And yes, you can see I am still sporting an arm brace.  I fell while out for a walk and  severely injured my left wrist in late December which then required surgery.  It likely will take at least 2 more months to heal. I am determined not to let it stop me now that I am a bit better and remember to use ice quite frequently while painting. Am getting better each day–and at managing with one hand for now–with help from my dear husband and our room mate who both help me with food preparation etc.

“Discovering Joy,” acrylic on canvas by Bea Garth

I finally finished my new painting “Discovering Joy.”

"Discovering Joy," acrylic on canvas by Bea Garth copyright 2017
“Discovering Joy,” acrylic on canvas by Bea Garth copyright 2017

My paintings are a lot like dreams where everything gets mixed together–thus the surrealist edge. For me what I am after is an exploration of the unconscious that helps me realize what it is I am feeling and thinking of underneath.

In this case it was and is the joy of experiencing summer after a difficult winter earlier this year. It got me to remember joyful times in the past such as swimming in Mexico when I was seventeen.  I remember swimming in the warm waters off of Guaymas and being thrilled by all the fish! And yes I loved being on my own with my sister and enjoying the Latin culture.

I think my trip to Mexico as a teen reminded me of my early childhood when the boy I played with next door had parents who were from Spain.  I was in love with their music and dancing and very different approach to life to that of my family. I was sorry when we had to move away.

This painting mixes experiences since quite obviously I am not a red head, nor did I even have  a boyfriend at age seventeen except perhaps in my imagination.

I am thinking of visiting  Mexico again sometime soon when I get the chance.  I bet it will help foster a whole new series of paintings celebrating life!

 

 

 

 

Bea Garth: Paintings & Ceramics at Clark County Open Studios Nov. 11-12, 2017

I will be participating in the Clark County Open Studios in Vancouver, Washington (just across the river from Portland, OR) this coming November 11th and 12th, 2017: here’s my page for the event featuring some of my art: http://www.ccopenstudios.org/portfolio/beatrice_garth/

"The Fool,"  acrylic painting on paper by Bea Garth, copyright 2016
“The Fool,” acrylic painting on paper by Bea Garth, copyright 2016

You can find the general information of what Clark County Open Studios is about, the artists involved (including me) and an art map here: http://www.ccopenstudios.org

This info. includes instructions on how to get to my Open Studio just across the county line in Vancouver, near Minnehaha and 68th–not far from I-5. My studio is on a slight rise with fairly good parking.

Besides painting on paper and canvas I will also be including some of my ceramics:

"Petting the Cat," ceramic vase by Bea Garth, copyright 2017
“Petting the Cat,” ceramic vase by Bea Garth, copyright 2017

 

 

“Lady In Pink” underpainting on canvas by Bea Garth

"Lady In Pink" underpainting, work in progress on canvas by Bea Garth, January 2017
“Lady In Pink” underpainting, work in progress on canvas by Bea Garth, January 2017

This is my new canvas painting I am working on. It is inspired by an extremely small painting on watercolor paper  I did back in San Jose (about the size of a large card).

The idea is that she will probably be wearing pink and black, and likely has dark skin.  Though all this could change depending…

Obviously I am still working on the cat!! This time it won’t be brown. It will be a contrasting color… And yes I want the cat to feel alive with movement!

I often like to make an underpainting like this before I go ahead and paint the whole thing in color with all the shading, contrast etc. This way I make sure I get the composition worked out in a simpler state rather than have to remake the whole thing if I didn’t get it right.

 

Art/Slant 9th round 1st Place for Painting by Bea Garth

Ironically here I am just coming off a bad migraine and contemplating my new award from the international art magazine Art/Slant.  I won a First Place for Painting in the 9th 2016 round of their contest this year (a 9th 2016 ARTSLANT PRIZE SHOWCASE WINNER) and have a chance of winning a big prize at the end of the year and being part of their show in Florida next February. I honestly did not expect to win anything so this has come as a big surprise. You can find it listed here:

https://www.artslant.com/global/artists/show/422378-bea-garth?tab=AWARDS

Its for my painting Empathy–you can see here. Just click on the picture to see a screen size shot of it. It seems to be a popular or at least semi controversial painting of mine.

"Empathy" by Bea Garth, copyright 2014 acrylic painting
“Empathy” by Bea Garth, copyright 2014 acrylic painting

Marianne Szlyck used it for the cover for her book of poems I DREAM OF EMPATHY last year which you can find on Amazon. https://www.amazon.com/I-Dream-Empathy-Marianne-Szlyk/dp/1517160677/ref=sr_1_fkmr0_2?s=books&ie=UTF8&qid=1479330057&sr=1-2-fkmr0&keywords=Marianne+Szlyck+Empathy

I also almost got into a group show this fall all about story and the imagination (A Magical Kingdom…) with this same painting here in Portland, but didn’t. I was told they loved the piece but felt  it didn’t quite fit in with the rest of the show. What can one say?

Thus to then win first prize for this 9th round at Art/Slant magazine based on this same painting was quite a nice kick in the pants!

Yes tonight (or to be more realistic, tomorrow) I paint, after attending to my other love — my art/poetry/commentary e-zine: Eos: The Creative Context (http://eosthecreativecontext.com).  And more fully recover from the after effects of my migraine… Ever wonder why my work is so “dream-like”??