I will be participating in the Clark County Open Studios in Vancouver, Washington (just across the river from Portland, OR) this coming November 11th and 12th, 2017: here’s my page for the event featuring some of my art: http://www.ccopenstudios.org/portfolio/beatrice_garth/
You can find the general information of what Clark County Open Studios is about, the artists involved (including me) and an art map here: http://www.ccopenstudios.org
This info. includes instructions on how to get to my Open Studio just across the county line in Vancouver, near Minnehaha and 68th–not far from I-5. My studio is on a slight rise with fairly good parking.
Besides painting on paper and canvas I will also be including some of my ceramics:
Worked really late on this next stage of The Fool. Its different than my usual work though there are definite elements I am more familiar with like the stretched leg and the fish, and even the carpet if I keep it. Am loving the imaginative stretch!
I got rid of the huge sun since it was too busy and took away from the impact of the Fool. Its still there, but not overpowering everything else. Color always changes everything, IMHO. I have to be and am willing to simplify as compared to a line drawing.
I am definitely relating with the Fool given all my late hours recently… I plan to get started earlier this evening in hopes I can get this done in a day or two.
I made some more progress with the Fool tarot card last night. I put in a lot of the background. I decided at the last minute to put in the red earth to balance the meaning as well as the pix. The idea is several planes of reality mixing with each other.
I worked on my tarot card (“The Fool”) late last night after the debates. Somehow this card seems very appropriate at this time of crazy politics from both sides, IMHO!
I had to enlarge the width of the painting a tiny bit so it will make the right size card when reduced down. Thankfully I could since its on watercolor paper…and I just use blue painters tape to hold the paper down.
I decided to go ahead and use acrylic paint. I have found that acrylic is much more durable than watercolor or gouache. For instance, I have a wonderful painting of the almost mythic Wild Ox that got ruined due to my studio being too damp, and that was in San Jose, CA!! (Yes sometime I need to make another one…).
Plus if I need to go in and change things, with acrylics I can do so without sweating it. I have found the acrylics stay cleaner and are easier to frame too.
So as you can see, last night I decided to work on the faces etc. first. And in a few, I will be working on it again. Maybe work on the Sun and background before the rest.. We will see! I let my subconscious guide me in these matters. Its always fun to see where it takes me!
I have been musing about what style is it I exactly have–at first I thought it should be called “Ancient/Modern/Surreal Art.” But now realize “Goddess/Surreal Art” is better. “Goddess” is inclusive of both the ancient pastand issues of ecologyas well as howwe feel and relate. In addition, often the women depicted in my art are powerful in subtle ways (though its not just the women!), thus incorporating both ancient and contemporary feminist values. And Surreal given how much I tend to add extra joints plus combine personal or mythic symbols and unusual environments and color.
Yes it is true, I obsessively focus on feelings expressed in body language. To tell the truth, part of my obsession no doubt is influenced by the fact my mother simply could not read body language at all. I have thus had to learn what body language means on my own. It has not been a given like it is for most people. My art thus helps me figure out what this or that movement or expression means. In so doing I believe it is also helps the viewer since many of us may miss these nuances of expression otherwise.
Both of my parents worked as archaelogists when I was very young. Thus I have been influenced by ancient art from an early age–and certainly its influence shows up in my artwork. I was exposed to Native American art here along the Columbia River in the Pacific Northwest as well asancient and indigenous art from around the world as a child. In addition I was very much influenced by my great Aunt Lottie’s amazing artwork and rugs she brought back from the Philippines.
Further I’m very much interested in imagery inspired by Carl Jung‘s notion of the Collective Unconscious as well as the New Age Arts such as Astrology and the Tarot.
I see the changes beginning everywhere: spontaneous expressions of Love rather than Hate, Renewables rather than robbing the Earth of its finite resources, values of Nurturing the Earth rather than killing off its plants, animals and oceans etc. The thing is that we are all connected.
I believe the Alienated isolated individualist is becoming anIcon of the Past. Of course, the old Paradigm is not going out without making a huge struggle to stay Top Dog. So this is not an easy time. But I believe we are winning on the side of making progressive change simply because we have to in order to survive.
It is my hope my art can make some small difference in helping create this paradigm change by expressing some of these new values while reconnecting with the ancient Goddess in a new and contemporary way, by having the Goddess and the patriarchal God finally begin to work together rather than be at odds.
It is my opinion we simply cannot forget what we have gained through science, technology etc. However we have to temper those gains with the realization we live in a finite world and must learn to take care of itandeach otheras stewards rather than continue to destroy our world out of greed.
Now finally back in the Northwest, I am focusing on being the full time artist I was meant to be, and was, many moons ago. Though now hopefully, both healthier and wiser.
To keep at it, I will need your support, whether just as a friendly “like ” or note, or a purchaseofsome of my sinuously expressive Goddess/Surrealart.
If you get a chance, please check out the blog pages as well as the artpages too of course! And feel free to contact me at email@example.com in case you would like to purchase (or show) some of my artwork.
I finally went and did it and now I think there is no turning back! The other day I decided to go ahead and begin drawing and painting my own tarot deck. Christine Payne Towler suggested it might be a good idea since my work is “so iconic.”
The truth is after feeling a bit daunted by the prospect, by plunging ahead I have just discovered I am loving it. With this project I can combine my love of astrology and tarot with my passion for making visual art.
So tonight I really went at it. I definitely am combining symbols from astrology and the tarot as well as other sources, including symbols I like using in my work. I have decided to throw out objective reality and combine realities to create a feeling of the inner and outer planes of existence–which of course really befits the Fool.
Meanwhile I am looking at Christine’s beautiful and definitive new in depth book on the tarot (TAROT OF THE HOLY LIGHT) as well as her new deck with her husband, Michael Dowers as guides.
I am very inspired! So thank you Christine and Michael, as well as the heavens for helping me take this step!! Since yes making 72 cards is quite a project. But now I see how I can do it, using watercolor paper and pen and ink with a pencil drawing first–and just let my imagination go.
I’ll be adding in color as I go of course. I will likely start with water color… I may end up with gouache or acrylic, but we will see.