From visionary narrative painting by Bea Garth

“Bringing Her Back To Life” by Bea Garth, copyright 2018

I just recently started work on this new painting which I am now calling “Bringing Her Back To Life,” by Bea Garth, copyright 2018. Its for a show I will be participating in this September called “Stories We Could Tell” at The Cave here in Vancouver, WA.

"Bringing Her Back To Life" acrylic painting in progress by Bea Garth, copyright 2018
“Bringing Her Back To Life” acrylic painting in progress by Bea Garth, copyright 2018

Of course I have plenty of stories in my paintings, but this one is calling to me given my recent health crisis  that became a crescendo the last  couple of years. Fortunately my broken wrist is healing and is becoming stronger and more flexible with each passing month. Ditto with my knee. In addition, I have gotten clues studying genetic snps that have proven to be very helpful regarding dietary advice. That plus taking Maca and Ashwagandha is  making a positive difference with counteracting some of the effects of underlying Lyme Disease that I have been struggling with the last few years.

Fortunately, I am in the process of bouncing back. I am nothing if not doggedly persistent looking for and finding  remedies. That and, of course, the Painting Gods are healing me. I honestly often feel a direct connection with the healing powers of the Earth and Sky (represented here by a  couple of their emissaries in this painting), especially when I am in my creative element.

I have more to do with the painting of course. Basically it is just blocked in with no shading or anything. However I really like the basic color scheme and feel like it could be  very strong  once completed. In many ways it reminds me of my ceramics. It has that playful yet structured character. The main thing for me is to stop before going too far!  A lesson I keep needing to learn it seems in my life. Hopefully by this time I am getting better at it.

“Trap Door,” work in progress by Bea Garth, copyright 2018

I am finally beginning a new series about the effects of radiation from Hanford etc. from a personal child-like point of view. Here I am falling through a trap door into the waiting arms of Pluto (God of the Underworld–and of nuclear radiation) with my  cat falling with me at my side.

I am still  planning to put in some shading etc. Otherwise I think this new 2′ x 3′ acrylic painting is close to done.

The pink represents invisible radiation that blanketed the area outside of the Hanford Nuclear Reservation the night of December 2nd and 3rd, 1949 — including where we lived in Walla Walla, Washington. Apparently it rained when it wasn’t “supposed to.” Twice the amount of radiation was released than they had originally planned.  I have read they secretly released between 8000 and 12,000 curies of radioactive iodine–and that this was not the only “green run,” i.e., where green uncured uranium was used at Hanford. The scrubbers for the effluent were turned off at night for 12 hours.  It was part of the Cold War race for nuclear  superiority with Russia.

There was no notification to the locals so none of us knew about any of this, and thus we did not know we needed to protect ourselves. It wasn’t discovered until years later when mention of the “green run” was found inside mountains of paper-work that was given to an enquiring reporter from Spokane (Karen Dorn Steele). The paper-work was supposed to prove Hanford had nothing serious to hide.   As it turned out, it was far more serious than anyone ever thought.

"Trap Door" w.i.p. acrylic painting by Bea Garth, copyright 2018
“Trap Door” w.i.p. acrylic painting by Bea Garth, copyright 2018

Now I realize my recurring dream of falling through a trap door was my child self representing what actually happened.  After being a very healthy baby, at age 4 months (coincident with the Green Run) I suddenly became severely  ill with pneumonia for close to a year.

Eventually I was taken to the hospital and put in isolation to figure out what could be done. I was given special treatment since my parents were  local celebrities for their work as  archaeologists finding and carefully uncovering Fort Walla Walla. I was  taken off  gluten, sugar and milk fat, plus  given gamma globulin for my “failure to thrive.” Fortunately I bounced back! Much later I learned that some of the Chernobyl victims were also given gamma globulin and often special diets. Like me, they got better.

It makes me sad to think of all the other babies who could have been helped like me, but weren’t. Quite a few ended up in the cemetery.  Babies are a lot more sensitive to radiation than anyone else.  Clearly we need a new paradigm where the health of the Earth and those who live on it needs to come first rather than continuing a focus on an  insane arms race that forgets we all live together on a fragile planet.

This makes me think of the continuing problems at Fukishima and, similar to Hanford, how real news coming from there is largely suppressed. And the very real threat of bringing back the Cold War–or a hot one, possibly started in the Middle East ,rather than focus on how we can restore our ailing planet.

Meanwhile, here in Washington at the Hanford site, problems with the clean-up  continues to be a sore point.  The numerous open radiation pits, leaking cannisters and the fact spent fuel rods are stored just 400 feet from the Columbia River,  leaves us  open for trouble.  I wish it would all just go away, but it looks like Hanford’s old demons will stay with us for some time.

 

 

 

 

Bea Garth, Jordan Clark pix from Art Talk & Opening at Cerulean, PDX Feb. 2018

Jordan Clark and I enjoyed ourselves this last Sat. night (Feb. 24th, 2018) giving our Art Talk at the Gallery @ Cerulean (Skies Wine) in Portland.

Here’s two pix from after the Art Talk taken by Jennifer Williams:

Jordan Clark and Bea Garth in front of 2 of their paintings at Cerulean Feb. 2018
Jordan Clark and Bea Garth in front of 2 of their paintings at Cerulean Feb. 2018. Bea’s painting Secrets is on the right…
Jordan Clark and Bea Garth at Art Talk and Closing at the Gallery at Cerulean Wine Feb 2018
Jordan Clark and Bea Garth at Art Talk and Closing at the Gallery at Cerulean Wine Feb 2018

Later in March I should be getting the video of part of the Art Talk as well as the Poetry Reading we had at the Opening Reception plus original music played there by my husband’s band Climate Strange from Hazel Miller, the curator of The Gallery @ Cerulean.

Jordan Clark and I are also talking about possibly doing a collaboration, which I think could be amazing. Our styles are very different, but our colors, movement, line and feeling are very similar. More on that later!

Here’s two more pix  of me with some of my work at  the Opening Reception, Feb. 1st 2018. I had just finished The Music Genie 2 days before the Reception! Fortunately its acrylic on canvas so it was dry. Its the painting in the middle in the pix on the right:

Bea Garth looking at her painting "Legs Like Vines" at her opening Gallery @ Cerulean, PDX Feb copyright 2018
Bea Garth looking at her painting “Legs Like Vines” copyright 2017 at her opening at the Gallery @ Cerulean, PDX Feb 2018
Bea Garth in front her painting The Music Genie, copyright 2018 at the Gallery @ Cerulean feb 2018
Bea Garth in front her painting The Music Genie, copyright 2018 at the Gallery @ Cerulean Feb 2018

 

 

 

 

 

 

 

 

 

Bea Garth by her painting "Turtles Complaint to Gaia" copyright 2015 at the Gallery at Cerulean feb 2018
Bea Garth by her painting “Turtles Complaint to Gaia” copyright 2015 at the Gallery at Cerulean feb 2018

–And yes you can see my arm in a brace. I am still recovering from surgery on my wrist after a bad fall in December. Thankfully now the brace is off. It helped but was very uncomfortable. Am doing massage and exercises to more fully recover use of my left wrist. Its happening. Am very grateful I am healing well.  Even though its still painful its not at bad as it was. This exhibit showed me that positive expression was and is possible even during difficult passages in life. Just needed a little push and help from my husband and friends.

“The Music Genie” by Bea Garth at The Cerulean thru Feb. 26, 2018

NOTE: Jordan Clark and I will be giving an Artists Talk Sat. night Feb. 24th, 2018 from 7 to 8 PM — with folks gathering at 6:30 — over at The Gallery at Cerulean, 1439 NW Marshall St., Portland OR, PH: 503 308-9137.

————

I have a bevy of paintings @ ‘The Gallery at Cerulean including my newest, “The Music Genie” you see below. I welcome those that can come hear us and see our work. The show is up through Feb. 26th. It is well presented with both my work and that of Jordan Clark harmonizing with each other by means of color and shapes–though his work is frankly boldly abstract and mine figurative.

The Cerulean is both a wine bar and art gallery on the edge of the Pearl district in Portland.

The Music Genie by Bea Garth 30 x 30 copyright 2018 acrylic on canvas
The Music Genie by Bea Garth 30 x 30 copyright 2018 acrylic on canvas

The Music Genie was inspired by my husband who was in one of his reverie’s composing music.  The watery depths in the background and the ghost like Genie to his right show him exploring his musical imagination of harmony and inter connected feeling.

I finished this painting just in the nick of time with putting in final touches just moments before putting the painting in with the rest before my husband drove off with them to take them to the gallery the day before the exhibit. Fortunately acrylic dries quickly with the aid of using a hair dryer! I had pulled an all nighter and had to crawl into bed–satisfied but curious as to how it might be received.

Bea Garth in front of her art at The Cerulean, Portland, OR

This  photo of me standing in front of my newest painting (The Music Genie) is from last night’s reception of my month long exhibit.  It was a very fun night while we were entertained by the completely original music by my husband Chris Arcus’ band Climate Strange.

Bea Garth in front of her new painting "The Music Genie" at the Art Gallery At The Cerulean, Portland Oregon
Bea Garth in front of her new painting “The Music Genie” copyright 2018 at the Art Gallery At The Cerulean, Portland Oregon

I also read poetry to an appreciative crowd. While reading (accompanied by Chris on his keyboard),  I realized I often have repeating images of nature, the everyday, eros and relationship, the mythic and the subconscious in both my paintings and poetry that seem to echo each other.

I was very impressed by the beauty of the gallery and how the curator Hazel Miller arranged everything exquisitely. My art and that of Jordan Clark’s was grouped by color and shape for instance–which really works even though he is an abstract painter and I am a figurative one.

Bea Garth looking at her painting Legs Like Vines at the Gallery at the Cerulean Feb 2018
Bea Garth looking at her painting Legs Like Vines copyright 2017  at the Gallery at the Cerulean Feb 2018

The Art Gallery At The Cerulean is at 1439 NW Marshall St., on the edge of the Pearl district in Portland, Oregon.  The Cerulean is a great place to go to buy wine and a bite to eat, hang out and experience fine art.

And yes, you can see I am still sporting an arm brace.  I fell while out for a walk and  severely injured my left wrist in late December which then required surgery.  It likely will take at least 2 more months to heal. I am determined not to let it stop me now that I am a bit better and remember to use ice quite frequently while painting. Am getting better each day–and at managing with one hand for now–with help from my dear husband and our room mate who both help me with food preparation etc.

“Ready for Clark County Open Studios!” photo by Bea Garth

Finally ready (well almost!) for Open Studios which begins Saturday morning Nov. 11, and runs til 5 PM, and then again the same hours on Sunday Nov. 12th, 2017.

"Bea Garth's Paintings and CE Sculpture at Open Studios," photo by Bea Garth nov. 2017
“Bea Garth’s Paintings and CE Sculpture at Open Studios,” photo by Bea Garth copyright 2017

I am loving how my studio looks especially with so much of my artwork up on the walls and on a couple of my tables.

I even got out my sculpture of ” Eos Re-emerging”. Eos is the Greek  Goddess of the Dawn.  I see her as presaging the work the feminine principle needs to do to save the planet from humanity’s greed and unbalanced throw away culture.  I have her sitting on the slab roller table in front of several of my paintings up on the wall.

I am prepared to do work with both clay and painting, depending upon the moment. It should be fun meeting so many people interested in supporting their local artists here in Vancouver, WA.

 

“Devil’s Lair,” mixed media by Bea Garth

Here’s a new painting from a pen and ink I did while waiting for an old boyfriend who was at his therapist’s. Am calling it “The Devil’s Lair,” watercolor and ink by Bea Garth.

"The Devil's Lair," watercolor and ink on paper by Bea Garth, copyright Oct 2017
“The Devil’s Lair,” watercolor and ink on paper by Bea Garth, copyright Oct 2017

I like how pen and ink and watercolor really go together. Am thinking of doing more for Clark County Open Studios this November 11th and 12th and beyond!