Here’s my new painting “Pink Cross” I finally completed late this May 2020 just before the world erupted. It was inspired by a pen and ink and went through several changes, since I kept changing the colors. I just couldn’t get it right. In each attempt there was something I learned and some color or effect I kept. Originally it was called “Gallery of Miscreants,” however the color changed the meaning fairly substantially. Now I don’t know what it means to tell the truth except they aren’t necessarily miscreants, rather perhaps its a family, whether one’s personal family or simply the family that is called Humanity. And is one’s family a “cross” we each must bear? perhaps to enjoy even so. So interesting what goes on. I certainly didn’t consciously choose pink, golden yellow, baby turquoise blue and lime green, but they chose me…
NOTE: Jordan Clark and I will be giving an Artists Talk Sat. night Feb. 24th, 2018 from 7 to 8 PM — with folks gathering at 6:30 — over at The Gallery at Cerulean, 1439 NW Marshall St., Portland OR, PH: 503 308-9137.
I have a bevy of paintings @ ‘The Gallery at Cerulean including my newest, “The Music Genie” you see below. I welcome those that can come hear us and see our work. The show is up through Feb. 26th. It is well presented with both my work and that of Jordan Clark harmonizing with each other by means of color and shapes–though his work is frankly boldly abstract and mine figurative.
The Cerulean is both a wine bar and art gallery on the edge of the Pearl district in Portland.
The Music Genie was inspired by my husband who was in one of his reverie’s composing music. The watery depths in the background and the ghost like Genie to his right show him exploring his musical imagination of harmony and inter connected feeling.
I finished this painting just in the nick of time with putting in final touches just moments before putting the painting in with the rest before my husband drove off with them to take them to the gallery the day before the exhibit. Fortunately acrylic dries quickly with the aid of using a hair dryer! I had pulled an all nighter and had to crawl into bed–satisfied but curious as to how it might be received.
This is my new canvas painting I am working on. It is inspired by an extremely small painting on watercolor paper I did back in San Jose (about the size of a large card).
The idea is that she will probably be wearing pink and black, and likely has dark skin. Though all this could change depending…
Obviously I am still working on the cat!! This time it won’t be brown. It will be a contrasting color… And yes I want the cat to feel alive with movement!
I often like to make an underpainting like this before I go ahead and paint the whole thing in color with all the shading, contrast etc. This way I make sure I get the composition worked out in a simpler state rather than have to remake the whole thing if I didn’t get it right.
I worked on my tarot card (“The Fool”) late last night after the debates. Somehow this card seems very appropriate at this time of crazy politics from both sides, IMHO!
I had to enlarge the width of the painting a tiny bit so it will make the right size card when reduced down. Thankfully I could since its on watercolor paper…and I just use blue painters tape to hold the paper down.
I decided to go ahead and use acrylic paint. I have found that acrylic is much more durable than watercolor or gouache. For instance, I have a wonderful painting of the almost mythic Wild Ox that got ruined due to my studio being too damp, and that was in San Jose, CA!! (Yes sometime I need to make another one…).
Plus if I need to go in and change things, with acrylics I can do so without sweating it. I have found the acrylics stay cleaner and are easier to frame too.
So as you can see, last night I decided to work on the faces etc. first. And in a few, I will be working on it again. Maybe work on the Sun and background before the rest.. We will see! I let my subconscious guide me in these matters. Its always fun to see where it takes me!
I have been musing about what style is it I exactly have–at first I thought it should be called “Ancient/Modern/Surreal Art.” But now realize “Goddess/Surreal Art” is better. “Goddess” is inclusive of both the ancient pastand issues of ecologyas well as howwe feel and relate. In addition, often the women depicted in my art are powerful in subtle ways (though its not just the women!), thus incorporating both ancient and contemporary feminist values. And Surreal given how much I tend to add extra joints plus combine personal or mythic symbols and unusual environments and color.
Yes it is true, I obsessively focus on feelings expressed in body language. To tell the truth, part of my obsession no doubt is influenced by the fact my mother simply could not read body language at all. I have thus had to learn what body language means on my own. It has not been a given like it is for most people. My art thus helps me figure out what this or that movement or expression means. In so doing I believe it is also helps the viewer since many of us may miss these nuances of expression otherwise.
Both of my parents worked as archaelogists when I was very young. Thus I have been influenced by ancient art from an early age–and certainly its influence shows up in my artwork. I was exposed to Native American art here along the Columbia River in the Pacific Northwest as well asancient and indigenous art from around the world as a child. In addition I was very much influenced by my great Aunt Lottie’s amazing artwork and rugs she brought back from the Philippines.
Further I’m very much interested in imagery inspired by Carl Jung‘s notion of the Collective Unconscious as well as the New Age Arts such as Astrology and the Tarot.
I see the changes beginning everywhere: spontaneous expressions of Love rather than Hate, Renewables rather than robbing the Earth of its finite resources, values of Nurturing the Earth rather than killing off its plants, animals and oceans etc. The thing is that we are all connected.
I believe the Alienated isolated individualist is becoming anIcon of the Past. Of course, the old Paradigm is not going out without making a huge struggle to stay Top Dog. So this is not an easy time. But I believe we are winning on the side of making progressive change simply because we have to in order to survive.
It is my hope my art can make some small difference in helping create this paradigm change by expressing some of these new values while reconnecting with the ancient Goddess in a new and contemporary way, by having the Goddess and the patriarchal God finally begin to work together rather than be at odds.
It is my opinion we simply cannot forget what we have gained through science, technology etc. However we have to temper those gains with the realization we live in a finite world and must learn to take care of itandeach otheras stewards rather than continue to destroy our world out of greed.
Now finally back in the Northwest, I am focusing on being the full time artist I was meant to be, and was, many moons ago. Though now hopefully, both healthier and wiser.
To keep at it, I will need your support, whether just as a friendly “like ” or note, or a purchaseofsome of my sinuously expressive Goddess/Surrealart.
If you get a chance, please check out the blog pages as well as the artpages too of course! And feel free to contact me at firstname.lastname@example.org in case you would like to purchase (or show) some of my artwork.
I have been musing about what style it is I exactly have–and have been thinking I should call it: Ancient/Modern/Surreal Art. Or is that just too clumsy?? Perhaps I should just call it Magical Realism?? I need to think on it. My work has never fit into any kind of box, which on the positive side makes it unique. But for purposes of the Internet, I need to find a way to classify what I do to get those who might be interested in my work to have any easy path to my site. So my dilemma dear readers, lol!
Certainly I have been influenced by ancient art from an early age. I was exposed to Native American art here in the Pacific Northwest as well as ancient and indigenous art from around the world as a child. My parents worked as anthropologists when I was very young. In addition I was very much influenced by my great Aunt Lottie’s amazing artwork and rugs she brought back from the Philippines.
I have also been influenced by the early moderns–Picasso, Modigliani, Gaugain, Matisse, Cassat and Kahlo amongst many others.
Further I very much interested in imagery inspired by Carl Jung’s notion of the Collective Unconscious as well as New Age metaphysics such as astrology and the tarot. I tend to focus on feelings expressed in the body language between people and our necessary connection with the Earth and its creatures–including the mythic dimension.
No matter what, I have been going through a major shift, just having moved back to the Pacific Northwest–so I am now setting up my new art studio. I want to continue painting and drawing on canvas and paper. But now, in addition, finally also get back to ceramic sculpture and wall plaques.
My good friend and tarot scholar Christine Payne Towler has also been encouraging me to begin a project of creating a new tarot deck–since, as she says, my work is iconic in nature. I am itching to begin!
Being here by the Columbia Gorge is for me like coming home with its beautiful vistas, abundant trees and wildlife and friendly people. This truly is where my heart is!